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Green Family at The Kings Head
The fire in the grate served many purposes: all the hobs on the top boiled the kettles and cooked the contents of the pots, the oven baked and roasted, the fire heated the kitchen (to some extent - that is to say, if you sat near in winter your front was roasted while your back froze) and racks at the top and the large fireguard with its brass rail aired the clothes. I remember the many pieces of bread toasted in front of this tiny square of red hot coals and the time I caught the top of my calf on the metal plate that closed it up leaving a scar which lasted many years. The grate of course had to be polished with zebo every day and the brass cleaned frequently. The food preparation took place on a scrubbed wooden table in the centre of the room, which was sometimes covered with linoleum and which also served as a dining table. There was always a sofa in the room under the window, but only one chair (dad's) was actually comfortable and near the fire. The room was dominated by an ugly dresser, so large that my father used to say he thought it must have been built in the room. This was obviously not so since it was removed to the back kitchen at a later stage. There was a picture of Churchill on one wall, (exactly the same as the one in the hall at French Hall Farm I remember noting with the perspicacity of a small child) and below a wireless which took up most of the oblong table on which it stood. We knew where we were in those days: Churchill was the goodie and the Germans were the baddies. I remember running to my father one day in high dudgeon shouting that they had "bombed upend". The report from the wireless had actually said Upend Docks, but my world at that time probably ended at Upend because my father sometimes took me there for a ride when the Daines family visited relatives. The kitchen had four doors: to the scullery, the porch and front garden, the sitting room and passage leading to the public rooms. each one had a step, in fact now I come to think of it you hardly ever went through a door without also going up or down a step, and the one to the outside was about one foot high. The sitting room (now the restaurant) was for high days and holidays. It meant another fire in winter and most days there were already at least three others to clean and provide fuel for. So it was really special and I loved it. The fireplace was of ornate polished black and tomato-red stone and the usual comfortable furniture. Even so the carpet wasn't fitted but a square with a large surround of stained wood. There was a bookcase on one wall. Most of the books, which no one seemed to read anyway had pencil drawings on their otherwise clear front pages. These "men", that is to say round heads, larger round bodies, and smaller circles for buttons and eyes were apparently the result of me at 3 having had the measles and my bed being put under the bookcase for easy access. The large sash window of course gave out directly onto the road and across to the village green and thatched cottages. There was a door through to the bar which was never used, but in those days no access to the garden. The plain flat wall outside was a dream to play two-ball against, but I can see now how the constant thud thud against the wall could become a touch infuriating if you were a grown-up trying to have an after lunch nap by the fire. I cannot remember the sequence of improvements in this part of the house, but the large pump in the kitchen must have been replaced fairly early on by running cold water over a deep white enamel sink with a draining board, but it may well have been after the war that the kitchen range was replaced by an ordinary fire in a red brick fireplace and an electric cooker fixed into the scullery. The polished furniture was brought into the kitchen which was also carpeted. A water heater which could be switched to sink or bath, 5 gallons or 20 was put under the draining board. My father said it was called a UDB which stood for "under draining board" and that, as far as I am concerned, is what it was: The fireplace was designed and built by "uncle Ted" Kemp, I think he was Uncle Ted long before he married my step-mother Nell's sister. It was he who decorated most of the rooms when the materials slowly became available. I seemed to be around to ' help' him quite a lot and the experience has stood me in good stead with a plumb line and folding pasted wall-paper throughout my life, although I am pleased we no longer have to make the paste with flour. The other stuff we put on the walls was distemper and both this and the whitewash for the ceilings rubbed off like powder after a while. I remember we found about six layers of wallpaper in some rooms when they were first scraped off.
The trick was to guess how many pints it would hold as the glass was apparently much thinner than one would expect and therefore it held (an unbelievable) 24 pints. Or so it was said. On reflection I don't ever remember it being checked. There was a bracket holding a paraffin lamp on the wall above the fireplace. As far as I was concerned we had always had electric light (it was somehow always referred to as electric light: even when many other things were powered by electricity you still went to pay your electric light bill) but the power failures were numerous during and after the war so the candles and other lamps were always at the ready in the back kitchen. The draught beer came from the cellar via two quite attractive pumps over a copper tray. There had obviously originally been five in a row but three had been removed. The beer was bitter and mild and two pulls with a little dash extra to overflow the froth a bit, made one pint. Half pint bottles of the slightly more expensive beers: IPA (Indian Pale Ale), Brown ale and stout were kept on shelves under the counter and more still in their crates underneath. Their larger brothers, the pint bottles were arranged on shelves on the stairs wall, and their crates likewise. There were several shelves here going up almost to the ceiling carrying respectively the minerals, cigarettes and tobacco, spirits and liqueurs and on the top shelf five beautifully decorated spirit barrels. I suppose, even in those days it was illegal for a young child to be in the bar at all during opening hours, but life was so different then. Almost all the customers were very well known to us and were like an extended family. ©2000 John Gunson, Village Recorder
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A Forest Heath District Council (Suffolk) Project supported by the Heritage Lottery Fund as part of the Millennium Festival ©2000 Designed by ArtAtac |